Details
Woodfired Shino, ash and oribe glaze with gold lustre
H. 30 x w. 50 cm
Photography by the artist.
About Timothy Copsey
The Peak District Pennine landscape and its seasons are the backdrop to everything Tim Copsey makes. This is pottery on the border between function and sculpture; in essence vases, bowls, bottles and cups, although these are really just 'Serving Suggestions'.
Works such as the Waterfall pieces are directly Inspired by observing and depicting how water races over and around rocks, glistening and reflective, as direct a reference to pouring as the onomatopoeic ‘tok tok’ of the tokkuri form.
Tim finds deep inspiration in Japanese forms and techniques, early experiments in camouflage such as dazzle, Prehistoric ceramic forms and Situationist art.
His work has been described as ‘beautifully ugly’ or like ‘space debris’ - he hopes that the work is playful, elemental if occasionally jarring or surprising and ultimately resonant of their materiality and the landscape from which they derive.
“Like archaeological finds from the debris of life in space - discarded in the Milky Way, picking up layers of galactic minerals and crystals over millions of years.”
“What really interested me about Tim’s work is their almost gender fluid quality: they are elegant and feminine with their pinks, golds and sparkly inclusions, but masculine and solid with the rough and free way in which they are constructed.”
“They are yin and yang: a unification of both ‘femininity’ and ‘masculinity’. I see them as solid and reassuring but decorated with a decadent touch that elevates them into objects of beauty and desire.”
“(His work) looks like it is in the middle of some alchemical change - it excites us with the drama .”
“I think Tim’s pots speak a thousand words. They are itching to tell us a story and that story is one of the force of life – of life in all its forms – the darkness and the light. ”
Tim works from his studio in the Peak District, alongside working with artists and creative organisations as a film maker. His work has been exhibited in solo and group exhibitions across the UK and featured in the publication 'Contemporary British Studio Pottery, Forms of Expresssion' by Ashley Thorpe (published by the Crowood Press (2023)). He recently completed an AA2A (Artists in Art Schools) residency at UCLan working with the MA students, allowing him to explore work on a larger scale.
Delivery
Delivery to mainland UK within 5 days.
Delivery to international addresses within 10 working days.
Returns
If for any reason you are not happy with your purchase, we offer a full refund on the safe return of any artwork. We must be notified of the return within 14 days from the date the artwork arrives with you. The return method is the responsibility of the buyer however if the return is due to any misunderstanding from our website description or images, the gallery will cover the costs of the return too.
Available to purchase via Instalments
Contact us if you would like to know more about the option of paying in instalments, a direct agreement set up with the gallery.
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A L I S O N W E S T
C U R R E N T W O R K
K I R S T Y A D A M S
Kirsty Adam’s work is both functional and holds aesthetic meaning, retaining the spontaneity and delicacy intrinsic to making on the potters’ wheel. A Japanese comb tool is used to create and enhance the throwing lines. Her Icelandic collection is the culmination of a research trip to Iceland to express the ‘otherworldliness’ of the landscape.
Kirsty is an award-winning ceramicist currently working from her studio in Newcastle upon Tyne. She originally trained at Brighton Art College and then on the potters’ wheel in Japan. She has developed a personal approach to throwing on the wheel using porcelain clay, to produce unique pieces for the home.
Exhibitions and Events
Being Human
6th March - 19th April 2020
C U R R E N T W O R K
£2,600.00Price
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