Details
Wild pink granitic clay and weathered basalt from Ardèche
Fired in oxidation at 1220°C
⌀ 31,5 cm
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Remember that time we found the old book in the dusty attic,
and we wanted to brew a magic potion?
“Different times of the lunar cycle can produce different energetic effects” it said
“Waning moon: best for forgiveness, letting go, giving thanks, releasing, and grounding.”
We plunged up to the navels in the mirror of frozen water.
“The sky must be clear so the water can absorb all the silver rays through the glass jar”.
But the first time the ostrich egg yolk stuck to the bottom of the cauldron.
The second time, the willow bark was too dry.
And that time we got distracted chasing fireflies?
Then we grew old, and we didn't believe it any more.
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The materials for this large tile were foraged in Ardèche. The refractory body comes from a deposit of weathered pink granite, while the vitrified clay that decorates it is made of a partially weathered red basalt found nearby.
The tile was decorated with the sgraffito technique.
About Clara Holt x Unurgent Argilla
Sonia Pasquinelli, aka Clara Holt, is an Italian illustrator and a decorator. She completed her classical studies and has always had a passion for classical literature, Greek epics and the surrealist current, which guide her in her research and personal interpretation of her subjects. Each piece is a one-off, illustrated with a drawing inspired by places, mythology or childhood stories.
Nina Salsotto Cassina is an Italian ceramicist. In 2019 she founded Unurgent Argilla, focusing on material research of non-industrial wild materials. Unurgent Argilla is a vocabulary of wild materials, a study of what’s around us, repeated on spherical vessels, which she uses as a canvas to convey a spatial narrative. The final vases function as both signposts and autobiographical archival memories.
In 2021, Clara Holt and Unurgent Argilla started a collaboration to narrate specific places through their combined styles of storytelling: materials and decoration.
Together they are working on a series of vessels and tiles made and decorated with different wild clays and rocks collected throughout Italy. Each piece is thrown and the illustration is specific to the setting where the materials were collected. Their first vessels together focused on volcanic rocks from Pantelleria, they are now working with a wider range of wild high fire clays, slips and oxides foraged mainly around the Alps.
Delivery
Delivery to Mainland UK within 3-5 days
Delivery to International addresses within 7-14 days
Returns
If for any reason you are not happy with your purchase, we offer a full refund on the safe return of any artwork. We must be notified of the return within 14 days from the date the artwork arrives with you. The return method is the responsibility of the buyer however if the return is due to any misunderstanding from our website description or images, the gallery will cover the costs of the return too.
Available to purchase via OwnArt
UK-based buyers can split the cost of this work over 10 months with an interest free loan via OwnArt. Contact the gallery for more details.
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A L I S O N W E S T
C U R R E N T W O R K
K I R S T Y A D A M S
Kirsty Adam’s work is both functional and holds aesthetic meaning, retaining the spontaneity and delicacy intrinsic to making on the potters’ wheel. A Japanese comb tool is used to create and enhance the throwing lines. Her Icelandic collection is the culmination of a research trip to Iceland to express the ‘otherworldliness’ of the landscape.
Kirsty is an award-winning ceramicist currently working from her studio in Newcastle upon Tyne. She originally trained at Brighton Art College and then on the potters’ wheel in Japan. She has developed a personal approach to throwing on the wheel using porcelain clay, to produce unique pieces for the home.
Exhibitions and Events
Being Human
6th March - 19th April 2020
C U R R E N T W O R K
£1,500.00Price
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