Expression where materials meet in the work of Stephanie Buttle (front and left in image above) and Judy McKenzie (right in image above) in our current show ‘Significant Form’. Both artists allow the material to find its final form, creating a dialogue between the artist and their medium. In Stephanie Buttle’s case, the main ceramic form is thrown in two sections, the top part added once the bottom section has just hardened enough to hold it. A layer of glaze enhances the join, glistening as if still wet, making you feel the clay’s vulnerable state. The clay body physically leans against a wooden support, kept full of hard texture - all felt without even having to touch. There’s a sensuality in this work that Stephanie describes even further in her artist statement - click here to find out more.
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A L I S O N W E S T
C U R R E N T W O R K
K I R S T Y A D A M S
Kirsty Adam’s work is both functional and holds aesthetic meaning, retaining the spontaneity and delicacy intrinsic to making on the potters’ wheel. A Japanese comb tool is used to create and enhance the throwing lines. Her Icelandic collection is the culmination of a research trip to Iceland to express the ‘otherworldliness’ of the landscape.
Kirsty is an award-winning ceramicist currently working from her studio in Newcastle upon Tyne. She originally trained at Brighton Art College and then on the potters’ wheel in Japan. She has developed a personal approach to throwing on the wheel using porcelain clay, to produce unique pieces for the home.
Exhibitions and Events
Being Human
6th March - 19th April 2020
C U R R E N T W O R K
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